jueves, 25 de septiembre de 2008
Smutty Seduction
A conversation with a painting: Diego Rivero's Man at the Crossroads. One of the most abstract and innuendo filled English assignments ever. I blame young Carlos.
"Wow! You're popular."
"What's your point?"
"Well, it's just that's a lot of people around you there."
"I suppose it is."
"So what are you all up to?"
"All? We're not together."
"Oh. So you're single then?"
"Pardon?"
"You're single."
"You could say that."
"So what are they doing?"
"Erm... you know I'm kind of busy right now."
"Oh. I guess so. See you."
"Hey- wait. I'm sorry, I have a lot on my mind."
"No problem."
"You want to know about them?"
"Sure."
"Well those guys, they're soldiers. They're pissed off and are looking to destroy something."
"What do they want to destroy?"
"Well... those guys I guess. They're communists."
"Communists?"
"Communists. See the guy in the middle of those people?"
"With the beard?"
"That's him. He's their leader. Lenin. The communist hope."
"He looks cool. So are all these guys communists?"
"No, I don't think so. Not those guys anyway."
"Wow, they look hungry."
"They do, don't they?"
"So what are you busy with?"
"Me?"
"Yeah. You said you had a lot on your mind."
"I did. I mean, I do."
"So what's on your mind?"
"You really want to know?"
"Sure. I'd love to listen."
"Really? Okay. Well, first it's the hungry. There's people dying to eat and killing to live. Then there's war-"
"War?"
"Sure. The whole thing. Man against man, comrade against comrade, brother against brother. And don't get me started on technology, global warming and industrialisation, let alone what the future holds. You know when you really stop to think about things, you realise just how incomprehensible everything really is."
"Wow. Do you know you're cute when you're serious?"
"Oh. Thanks."
"What's that?"
"This? Oh, it's just a machine that controls the future of humanity."
"That stick you're holding is kind of big, isn't it?"
"I suppose so."
"Want me to hold it for you?"
miércoles, 24 de septiembre de 2008
Taco Stand Man
The cleaver starts hammering down
Beating time on the block
Like a visceral pirate's blade,
Your fingers left untouched;
Coriander bustles under its force,
Festooning the air with potent spice,
Swept into trays of onion and lime;
Tortillas tossed and flipped by hand.
Salad onions are circled,
Sprawling like Rivero's lillies
In a sink of bubbling oil,
Gross bulbs encrusted sordid gold;
Resting in the centre,
Intestine, snout, leg and trotter
Are heaped proudly for customers.
You work them through the oil again.
Someone sits. They order
And you leap to work;
A glob of entrail is picked from the glut
And severed, chopped and diced
Until the final cut,
When you sweep the meat into your hand.
A perfect fit in the tortilla
Which goes on a plate and over the counter;
It pleases you,
Standing back for a moment
To watch him eat and dribble
And take one more serviette.
The taco stand is a white tin hut
With neon paper signs
Peeling painted designs
And odours of putrid delight.
What does it matter that you can't stand up?
Beating time on the block
Like a visceral pirate's blade,
Your fingers left untouched;
Coriander bustles under its force,
Festooning the air with potent spice,
Swept into trays of onion and lime;
Tortillas tossed and flipped by hand.
Salad onions are circled,
Sprawling like Rivero's lillies
In a sink of bubbling oil,
Gross bulbs encrusted sordid gold;
Resting in the centre,
Intestine, snout, leg and trotter
Are heaped proudly for customers.
You work them through the oil again.
Someone sits. They order
And you leap to work;
A glob of entrail is picked from the glut
And severed, chopped and diced
Until the final cut,
When you sweep the meat into your hand.
A perfect fit in the tortilla
Which goes on a plate and over the counter;
It pleases you,
Standing back for a moment
To watch him eat and dribble
And take one more serviette.
The taco stand is a white tin hut
With neon paper signs
Peeling painted designs
And odours of putrid delight.
What does it matter that you can't stand up?
Patrick-22
The students assembled gradually in the yard. They milled around and chatted without any sense of urgency, which was completely unacceptable and totally what had come to be expected of the school. It was even this way during earthquake drills, when the students were expected to sit down in rows according to their tutor groups because their lives were not in danger, which is why they milled around and chatted without any sense of urgency.
"Sit down!" the teacher would say.
The students continued to mill around and chatted without any sense of urgency.
And so it was now. Patrick left the group of chatting students and spoke to the teacher.
"What are we doing here?"
"What are we doing here?" his teacher replied.
"I mean what are we doing today?"
"Aren't you sure?"
"No, I'm not sure."
"I'm not sure either."
"So you don't know what we're doing?"
"No. Don't you?"
The teacher sighed with resignation. Patrick was a kind and friendly student who in his short time at the school had made several good friends and even found a girlfriend.
"I hate that kid," the teacher said.
Read more pointless insanity in Joseph Heller's 'Catch-22', coming to a classroom near you soon.
"Sit down!" the teacher would say.
The students continued to mill around and chatted without any sense of urgency.
And so it was now. Patrick left the group of chatting students and spoke to the teacher.
"What are we doing here?"
"What are we doing here?" his teacher replied.
"I mean what are we doing today?"
"Aren't you sure?"
"No, I'm not sure."
"I'm not sure either."
"So you don't know what we're doing?"
"No. Don't you?"
The teacher sighed with resignation. Patrick was a kind and friendly student who in his short time at the school had made several good friends and even found a girlfriend.
"I hate that kid," the teacher said.
Read more pointless insanity in Joseph Heller's 'Catch-22', coming to a classroom near you soon.
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